[Gospel Music] Ayo Davies – God Of Abundance

UK-based Gospel Artiste Ayo Davies with an exciting new single titled ‘God Of Abundance’. Produced by Evans Ogboi.

God Of Abundance’ is a song that reminds us of God’s ability to provide, supply all our needs and exceed our imagination.

Hailed for his original style, awe-inspiring vocals and inimitable passion for gospel music, Ayo Daviesbegan his foray into music at a very young age with a passion for African contemporary music.

His musical journey, from then to now, has seen influences from gospel, contemporary, R&B and jazz music.

Now serving as the musical director for London-based church RCCG Winners Way, Ayo Davies has gone on to revamp local and regional music departments across several churches and organizations in the United Kingdom.

Speaking about the inspiration for ‘God of Abundance’, Ayo Davies says:-

“This song was received in the place of prayer at a time when I was believing God for His divine provision.

The word I received was that God’s provision already exists and all I had to do was key into it. I began to proclaim that the God of Abundance is more than sufficient for me and the song was birthed”.

Listen & Download “Ayo Davies – God Of Abundance” below:-


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[Music] Wale Turner – Hey Maami

Wale turner has a story to tell, he wants everyone to hear it. Wale turner new single (freestyle) “Hey Maami” picks up right where his latest single “Awa Noni” left off.

This year is about to take a new turn for good for wale turner as he releases new humor themed lyrics track for everyone to dance up a storm.

With Mallowrellz’s deft production on hand to assist, “Hey Maami” is an afro-pop track that has its beat primed for dance floor.

Finds wale turner playing his coy game then hoping to get intimate with the girl of his dream.

Listen & Download “Wale Turner – Hey Maami” below:-


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TBoss subtly replies her father, after he cursed her

TBoss Might just have subtly responded to her father’s curse earlier today.

Recall, yesterday, pictures of TBoss’ father, Engr. Vincent Idowu, a civil engineering lecturer at Ambrose Ali University, married a 400 level student of the school.. and the picture immediately went viral.

Her dad, today, then took to the gram to reply trolls who came for him, for marrying a lady so young, who apparently, is his student.

He didn’t just respond to trolls.. He also laid a curse on his daughter, TBoss.. He wrote;

”When destiny smiles on someone, he forgets that there is life elsewhere. If I look like a roasted goat on my wedding day, that’s cool but that writer will soon become a resident of a subcity where people with severed limbs, broken bones, amputations, stinking blind and lame reside. THIS IS A PROMISE.

I live a humble, private life and did not intimate TBoss or any of her siblings of my plan to remarry in accordance with my tradition/custom. Furthermore, I did not make public or post anything about my marriage.

I am starting a new beginning and clearing the slate of all the wrong decisions I made in my life. I just want to forget Tokunbor (TBoss) and her siblings and start life afresh for all its worth. If and wherever Tboss and any of her siblings gets married, it shall be without my blessings and woe unto the man or the woman who marries any of them. So shall it be by the power vested on me by God Almighty”.

Now, in what seems like a subtle reply to her dad.. TBoss shared on Instagram the below post, but the turned off comments:


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Obasanjo is not my son’s grandfather- Tonto Dikeh

Nigerian actress, Tonto Dikeh, has said that former Nigerian President, Olusegun Obasanjo, is not her son’s grandfather.

The actress cleared the air over the relationship between her son, Andre and the two-time Nigerian leader on Tuesday on Instagram.

The movie star reacted after an Instagram page dedicated to celebrity kids said Mr Obasanjo was her son’s grandfather.

Tonto swiftly replied the blog, correcting the insinuation.

“Excuse me that is my son and that’s not his grandfather in any way. Baba is a great man and has been wonderful to me and my son but unfortunately we have no blood relationship with Baba,” she replied.

It didn’t end there, as the controversial actress went ahead to reveal that her ex-husband, Oladunni Churchill ”deceived her into believing that Mr Obasanjo was his father.”

“But I would not have you using my son’s image for a lie. He has two grandfathers. One is late and mine is very much alive. I was as ignorant as you until I found the truth so please and please again I’m a mother and I would not tolerate this…Thanks and God bless you & your business,” she said.

Tonto’s latest social media outburst did not come as a surprise even though she had publicly declared Mr Obasanjo as her father-in-law in 2015 during her wedding introduction.

But following her messy divorce, Tonto has repeatedly told anyone who cared to listen that she does not want to have anything to do with her ex-husband.

Although they do not see eye to eye, both parties have launched an unending social media war against each other.

The Nollywood star confirmed there were cracks in her 17-month-old marriage in February 2017.

By June 2017, Tonto’s dad returned her traditional marriage bride price to his ex-son in law.

The 32-year-old actress who recently revealed that her much publicised beauty surgery cost N5 million recently told AFRICAN ENTERTAINMENT that she hopes to remarry some day.

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How I quit boxing after being badly ‘pummeled’ — Mr Ibu

Nollywood actor John Okafor, who is better known as Mr. Ibu, is the toast of filmmakers and Nollywood enthusiasts.

Famous for redefining hilarious imbecility, Mr Ibu is arguably one of Nigeria’s most successful comic actors in recent times.

A multiple award winner, the 55-year-old actor is also one of Nigeria’s highest paid actors. African Entertainment  caught up with him in Lagos recently and had him speak about his career, marriage and humble beginnings.

AE: Did you originally set out to become a comic actor?

Mr Ibu: I will just say comedy found me and over time I have found that I can’t feature in a ‘serious’ role because my fans may consider it odd. I have always been interested in soap operas and that was what inspired my career. I played cameo roles in a TV series titled Hotel De Jordan. I was passing by the set when the crew beckoned on me to be a part of it.

My scenes lasted a few seconds and I also had minimal speaking roles, but it was a big achievement for me at the time. So, its safe to say I officially launched my acting career on December 3, 1978.

I also starred in two series, Ogbu Anyanwu, and Kwere Kira, which were shown on Anambra Broadcasting Service in the late 90s. All these roles stirred my interest in acting.

AE: What movie would you say gave you your big break?

Mr. Ibu: Funny enough I got my big break after I played an imbecile in the late Alex Ezeamaku’s 1997 movie, Agony. He was assassinated in front of his house and that was why we couldn’t shoot the second part of the movie. I acted alongside Pete Edochie in the film. Other films like Mr Ibu, Vuga and Uncle Wayward also shot me to prominence.

The first Nollywood movie I acted in was titled Rolling Stone and it was shot in Onitsha, Anambra State. The late Solomon Eze produced it. The onset of my Nollywood career was very tough. I recall having to trek from Ajao Estate to Festac Town in Lagos State for movie auditions and rehearsals on a daily basis.

AE: What is the story behind your moniker, Mr Ibu?

Mr Ibu: I have always been called Ibu from childhood. My grandfather bore the name too and I took after him. When we began shooting Mr Ibu in 2004, we titled the film John Ibu Okafor and after some time, we changed it from Mr. John Ibu to John Okafor. I later settled for Mr Ibu and the name stuck after the film became a hit. I inherited my comic side from my grandfather. He was a better actor, a better comedian than me. He died in 1971

AE : Not many Nigerians are aware that you are an ex-boxer? Why did you quit boxing for acting?

Mr. Ibu: It’s because I didn’t tell them (laughs) I used to be a boxer. I was doing well as a boxer until I went for a championship in Delta State. I was badly pummeled during the fight that I could not even be recognised after the fight. I almost lost an eye because of the punches he dealt me. That was the incident that made me quit boxing. Aside from boxing, I’m sure that you don’t know that I used to be a football coach. I coached the national team of the Actors Guild of Nigeria for four years. I was also a Karate practitioner; I got my black belt in 1983.

AE: Are you venturing into filmmaking anytime soon?

Mr Ibu: I am working on a movie, which touches on Xenophobia. The production has seen me visit Ethiopia, Botswana (Gaborone), Zimbabwe, Liberia, and Ivory Coast for fact-checking. I am going the extra mile because I want to find out the truth behind xenophobia. I employed a writer who is currently scripting the movie. It has taken this long because the writer is also travelling to these countries for fact-checking. The script should be ready by May. The cast would be drawn from Nigeria, Liberia, Kenya, Ghana and Botswana. The film would be shot on locations in South Africa, Kenya and Botswana.

AE: Anyone who follows you on Instagram can tell that you are very fond of your wife. How did you meet her?

Mr. Ibu: Before I married her, I used to be quite unlucky with women. Whenever I fell in love with a girl, other men would snatch her from me. I steered clear of women after my first marriage crashed. I had nothing to do with any woman for six years before I met my wife. She won the Face of Imo State competition in 2004 and I was a judge at the pageant. That was how our paths crossed. We got married in 2015. We have five children. My ex-wife had four children. My first son is married with children and that makes me a grandfather.

AE: Your wife is also an actress….

Mr Ibu: Yes, she is an actress and we both have an understanding, so find a way around our busy schedules. As such, we are rarely on set together else the home front suffers. I am also guiding and mentoring her in her acting career.

AE: Do you find it odd that many people rarely take you serious because of your comic roles?

Mr Ibu: A lot of people think I’m stupid and foolish because of the roles I play in movies. Even when I have something meaningful to say, people don’t take me serious as they think I am just being silly.

Some people also think that I’m an illiterate but that’s not true. Thankfully, although I was already a star when I met my wife, she took me serious when I proposed to her.

AE: Tell us about your educational background?

Mr Ibu: I attended elementary school and stopped in 1974. I went to secondary school in Sapele, Delta State. Before then, I attended the College of Education Yola, then Gongola State, but I dropped out due to financial reason. I attended the Institute of Management and Technology Enugu for my tertiary education.

I couldn’t study full time because my father died quite early and no one was willing to sponsor me in school. My siblings and I fed from hand to mouth. That is why I sold firewood and practiced as a hairdresser in Enugu. I was also a photographer and butcher. As an undergraduate at IMT, I worked in a crate Industry and also repaired refrigerators.

AE: Do you have any concerns about your industry?

Mr Ibu: Nollywood really needs to put proper structures in place so it can attract serious investors. Ours is a very lucrative industry with a potential to generate more money for the country than oil if it is well managed.

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Film on Nigeria’s Ebola experience screens in Hollywood

Nollywood film on Nigeria’s resilience during the Ebola virus outbreak in the country was on Friday night screened at Hollywood, Los Angeles, in a collaboration event tagged ‘Nollywood in Hollywood’.

The screening of the film, 93 DAYS, which held at the world famous Egyptian Theater in Hollywood with a red-carpet, was also the inaugural ‘Nollywood in Hollywood’ event.

According to organisers, the event was a celebration of Nigeria’s growing cinema.

The film is a compelling drama of dedication, sacrifice, resilience and survival based on the true story of the people who risked their lives to prevent a catastrophic virus outbreak in Nigeria.

Nigeria experienced the Ebola virus in July, 2014 when a Liberian American, Patrick Sawyer, who had the disease flew from Liberia to the Murtala Muhammed International Airport, Lagos and died five days later.

Starring Bimbo Akintola, Somkele Idhalama and Danny Glover, it took the audience through the unfortunate memory lane when Sawyer collapsed upon arrival at the airport, after which he was diagnosed with the Ebola virus.

The film explained that over that 93-day period, men and women from Nigeria, the World Health Organisation and Doctors Without Borders raced against time to contain the deadly disease as lives were lost and heroes were born

The film was co-presented by the American Cinematheque’s Egyptian Theatre in Hollywood, School of Cinematic Arts at the University of Southern California, and O2A Media Inc., the production company of Nigerian-American filmmaker, Ose Oyamendan.

There was a question and answer session that followed, with the film’s director, Steve Gukas.

The screening of the Nollywood film, 93 DAYS, and two others from Nollywood – THE BRIDGE and ISOKEN – in Hollywood, California, which started on Friday and continues on Saturday, would be the first collaboration between Nollywood and Hollywood.

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Nollywood in Hollywood to become annual event

Nollywood in Hollywood,’’ a collaboration between Nollywood and Hollywood to showcase Nigeria’s best films, is now to become an annual event.

The organisers of the event revealed this as two Nollywood films – THE BRIDGE and ISOKEN – were showcased in Hollywood, Los Angeles, on Saturday night at The Eileen Norris Cinema Theatre Complex in Los Angeles.

The screening of the two films brought to three the Nollywood films showcased in Hollywood, with the screening earlier on Friday of 93 DAYS, a film on Nigeria’s resilience during the Ebola virus outbreak in the country.

The film – 93 DAYS – is a compelling drama of dedication, sacrifice, resilience and survival based on the true story of the people who risked their lives to stop the spread a catastrophic virus in Nigeria.

The screening of the three Nollywood films, which started on Friday and continued on Saturday, was the first collaboration between Nollywood and Hollywood.

This is also the first time that national film series, the foremost film programme in the world and the most historic of all of Hollywood’s cinema houses, are teaming up to bring a film series from Africa to Hollywood.

Nigeria joined a select list of seven countries from around the world to be part of the prestigious national screening series, according to the organisers.

THE BRIDGE was a film about inter-tribal marriage in Nigeria and the challenges associated with it, as it seeks to end the inter-tribal prejudices and strengthen marriages among Nigeria’s diverse ethnic nationalities

Obadare, a Yoruba prince, and Stella, a young lady from a distinguished Igbo family, are a couple whose relationship is threatened by tribal prejudice and parental plans for their lives.

When the couple secretly wed against their parents’ wishes, the consequence shakes the very foundation and sustenance of both families.

Similarly, ISOKEN is a romantic comedy that explores cultural expectations, racial stereotypes and the bonds that unite families in touching, dramatic and comedic ways.

Everyone in the Osayande family worries about Isoken, although she has what appears to be a perfect life – beautiful, successful and surrounded by great family and friends..

However, she is unmarried at the age of 34, which, in a culture obsessed with marriage, is serious cause for concern.

Things come to a head at her youngest sister’s wedding when her overbearing mother thrusts her into an orchestrated matchmaking with the ultimate Edo man, Osaze.

Osaze is handsome, successful and from a good family, making him a perfect Nigerian husband material.

However, in an unexpected turn of events, Isoken meets Kevin who she finds herself falling in love with and he just might be what she truly wants in a partner.

The only problem is, not only is he not an Edo man, he is Caucasian.

The screening was a question and answer series moderated by the Chairman of the African-American wing of the Directors Guild of America and an open air, post-screening Nigerian party on the historic Hollywood Boulevard.

The film was co-presented by the American Cinematheque’s Egyptian Theatre in Hollywood, School of Cinematic Arts at the University of Southern California and O2A Media Inc., the production company of Nigerian-American filmmaker, Ose Oyamendan. 

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